Catherine Castellani has lived in New York so long that it shocked her to realize she’d set her latest 10-minute play, Mercurial, in Wyoming. Other work (Hell’s Waiting Room, Lots, The Treadmill Trilogy (WORK, Gestation, and Organization Man), The Overheard Music, Profit, and audio dramas Rain and Marlboro Angel are predictably urban. The Treadmill Trilogy was recently read at the Dramatists Guild, NYC, in April, 2010. You can ontact her through http://www.facebook.com/catherine.castellani
Catherine has written an article for Status Hat that appears in the "Dialogue" issue, April, 2010.
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